“The new single from UK singer Yodashe is grand and almost gothy, built around a giant bass rhythm and rippling sheets of electronics”
— Bandcamp New and Notable
“Like an abstract painting in the beginning the song challenges you to understand its structure, but after an unexpected drop, the sonic layers fall more and more into place and fill the space with glittering brightness”
— Glamglare Song Pick of the day
“This is a brilliant piece of electronic music”
— Oliver Boucher
“Sophisticated electronic pop”
— Glamglare
“Cutting edge electronic pop”
— Oliver Boucher
“Yodashe’s vocal delivery is reminiscent of Cocteau Twins’ ethereal, abstract pop and Kate Bush’s multifaceted vocals”
— Beater.Gr
“Electronic loops that make you want to listen to the track again and again”
— Giousurum blogspot
“Yodashe lends her otherworldly vocals to experimental beats”
— Red Bull Music Academy
“A colourful mosaic of electronic and rhythmic sequences that create a beautiful frame for vocals reminiscent of Elizabeth Fraser and the fertile parameters of the music of Cocteau Twins…”
— To Spiti Me Ta Paraxena
“Smoky vocals, with spoken-word sections overlapping in different parts… relaxing but also intimate, a conversation whispered in your ear in a loud club”
— Red Bull Music Academy Soundcloud
“Artfully mind-bending pop”
— RBMA
“Yodashe’s live set was quite a strange experience, different from everything and everyone with a large dose of experimentation and undoubtedly something worth hearing and seeing”
— Bassline BG
“Musically ambitious, combining glitchy beats with brash, dissonant vocal harmonies in a free-flowing arrangement…the key is the variety of catchy melodic hooks, which pop up in unexpected places and keep the track engaging throughout ”
— Dezeen Music Project
“Haunting alternative pop a-capellas”
— RBMA Radio
“Yodashe’s got that killer combination of an experimental heart and impeccable classical credentials: she’s a multi-faceted vocalist who’s been playing piano since the tender age of five and has previously recorded the sound of sugar being ground by a metal spoon”
— Daily Note - RBMA
“Obsessed chorister, classical pianist and lover of Medúlla-era Björk, Yodashe cuts her own shapes out of the world and samples them in her haunting alternative pop acapellas. Like an Athenian Arthur Russell, Yodashe uses cityscapes and city shapes, math and landscape to inform her hypnagogic take on classical music. On the flip, she’s got a mean indie streak: in 2009, her band Flakes opened for Primal Scream and Bloc Party in front of 7,000 people”
